Reuters – Sarah Ruhl’s “Dead Man’s Cell Phone,” in its West Coast premiere, is wildly clever and very funny, like a frothy opera (without music, that is) by Rossini, tinged by campy overtones of Edward Gorey.
Reuters – Sarah Ruhl’s “Dead Man’s Cell Phone,” in its West Coast premiere, is wildly clever and very funny, like a frothy opera (without music, that is) by Rossini, tinged by campy overtones of Edward Gorey.